Despite its thickness, this is one of the silkiest and most malleable cables of this size I've had the pleasure of using in my studio, and you'd have no problems snaking it round tight corners.
All the analogue I/O emerges from an L2Audio 25-way D-type connector, which interfaces with a 1.8-metre-long multiway cable a full 14mm thick, terminating in eight XLR plugs and sockets (the sex of which depends on which model you have). Like the Lynx One, the PCI card has just two D-type connectors on its backplate. Instead, out popped the chunkiest collection of breakout cables I've seen to date.
#Hetting to macs speed shop using lynx manuals
When I first encountered the Lynx Two in its packaging I was surprised by how heavy it was, but fortunately there were no two-inch-thick manuals inside to wade through. Lynx see the Lynx Two as ideal for CD or DVD authoring, multi-channel recording, mastering, video post-production, and broadcasting applications, and since the card itself supports up to 16 inputs and 16 outputs, various multi-channel expansion modules will be available shortly in ADAT, TDIF, and other formats for those with more ambitious requirements. The one you choose will depend on what tasks you want it to perform I suspect those into multi-channel recording will opt for C, while B users are more likely to be mixing in surround, running soft synths or using outboard rack effects.Īll three models also provide comprehensive digital I/O facilities: a single digital in and out in either AES-EBU or S/PDIF format which also supports Dolby AC3 and DTS-format signals, along with timecode in and out, a very-low-jitter internal sample clock output, and a sync input, which is also capable of being locked to NTSC or PAL video signals. The A model reviewed here has four ins and four outs, the B has two ins and six outs, while the C model has six ins and two outs. The Lynx Two is available in three configurations, each of which has a total of eight analogue connectors as standard.
Of course, there's a lot more to increased audio quality than simply using converters with higher sample rate capability, but Lynx already have an enviable reputation in this area: when I reviewed the Lynx One in SOS November 2000, I found it to be possibly the best-sounding soundcard I'd ever reviewed. Well, Lynx Studio Technology already have an answer, in the form of their Lynx Two 24-bit/192kHz Multi-channel Audio Interface.
#Hetting to macs speed shop using lynx upgrade
Now that even sub-£200 entry-level soundcards are fitted with 24-bit/96kHz-capable converters, you might be wondering what manufacturers are going to come up with to tempt us to upgrade even further. No expense has been spared in the design of Lynx Studio Technology's latest soundcard, which adds 192kHz capability to remarkable sound quality, bringing it into real competition with high-end, stand-alone converter boxes.
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